9/11: Remarkably, A Photo of the Towers From Thirteen Years Away
I wouldn't have imagined seeing a photo yesterday -- initially, a Twitter blip amidst the moments of silence, the first responders, the enormous flags in the football stadiums, the burning embers, the falling men -- that would actually cause me to look on that day anew.
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How the Pictures are Killing Us: The Dynamics of the Sotloff and Foley ISIS Videos
If the Foley and Sotloff videos felt like a piercing blow, if just from the bloodless screen shots, what is it that so pierced us?
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Compassionate Conservatism: Damon Winter’s New Photos from Gitmo for The NY Times
The new wrinkle is on how the prisoners are allowed more contact with each other as long as they demonstrate good behavior.
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Enabling ISIS, the VICE Videos and the Execution of AFP Videographer James Foley
Where are the ethics and the boundaries when the media engagement is so passive, even acquiescent, and the product, so indistinguishable from propaganda that the insurgents feel they can have their way with the exposure?
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On that ISIS/ISIL Centerfold
I imagine you’ve seen this gentleman posing here in his outdoor boudoir?
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ISIS Images Go Mainstream: Giving Terrorists a Hand
AP is not just validating, packaging and sanctioning this scene for the Western media news stream, its caption complements the terrorist’s narrative.
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Terror Imagery the Envy of Hollywood: Why a Scapegoating West Can't Get Enough of ISIS
The question is, why is Western media suddenly so obsessed with the propaganda of ISIS in Iraq, and gratuitously publishing the groups factually-ambiguous terror scenes?
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Las Vegas Cop Killers Jerad and Amanda Miller (Not Necessarily in That Order)
Perhaps the couple is an anomaly. Perhaps not, however. Maybe what we're seeing is the emergence of the female far-right revolutionary and domestic terrorist.
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Photographs of a Botched Execution Are as American as Apple Pie (GRAPHIC)
I’d like to tell you that such images are anomalous, but sadly that is not the case.
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Glimpses of the Missing Nigerian Girls: Glenna Gordon's Photos of Extraordinary Ordinary Things
Notebooks, uniforms, their own clothes and finally photographs of the girls themselves. They are ordinary things that in this extraordinary context start to build up into a sad, touching image of some of the lives that have been torn away from their normal course.
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Conservative Backlash Gets Visual in White House's Soldier – Taliban Prisoner Swap
The deal to trade Bergdahl for five high profile Gitmo detainees threatens to dust off the visual genre of the "war on terror," a vocabulary that has been more in remission.
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The Santa Barbara Shooting Rampage … and How They're All Running Together
The crime scene still taped and the blood barely dry, members of the media historicize another driveway, lawn or storefront and ennoble another witness or survivor telling his or her tale.
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Visual Media, Misogyny and the UCSB Shooting: The Alpha Phi “Upskirt” Shot
Is the objectification of women so entrenched in our culture and media that it's inescapable, even in the visual reporting of this extraordinarily troubling story?
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Bring Back Our Girls … From the Digital Divide
What the girls represented was a blind spot -- active evidence that the web isn't, in fact, omniscient, and our digital experience -- as much as it feels like the essence of inclusivity -- is overwhelmingly exclusive and exclusionary.
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#BringBackOurGirls: The Complex Optics of Human Trafficking and Sexual Exploitation
The controversy over the politics of representation in #BringBackOurGirls must be used to bolster the broader campaign for women’s safety, autonomy, and right to consent.
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Murder as Damn(ed) Good Art: Robert Hariman on Organized Crime World Press Winner
The mob knew it wasn’t enough to kill its enemies; the killings had to be displayed to the viewing public. But the photographer isn’t a lackey of the mob.
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She is Seeing Terror. You are Seeing Terror. We Will Continue to See Terror.
The narrow aperture is as salient as the face behind it, while the blinds on each side make a thick frame designed to obscure. The message is clear: what you see through the aperture of the camera is not the whole picture.
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The Politics of Nostalgia: The Mandela Fist
It's interesting how the flood of memorial portraits in the West marginalize or soft-peddle, but also get stuck on Mandela's ferocity and engagement with the tool of violence.
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