The problem I want to raise is that once you’ve been given a literal description of the image, your imagination may shut down too soon.
Continue ReadingIt's ironic because the viewer, particularly in war photography, isn't supposed to be aware that there is a camera.
Continue ReadingWatch video highlights of the salon as an esteemed panel, mostly current or former White House photojournalists, discuss the ins-and-outs of presidential photo coverage.
Continue ReadingWhat touches me about the photo, beyond the eloquence of the ritual, is its audacity and appeal for humanity in the midst of roiling injury and two wars of retaliation.
Continue ReadingThere is much more to the "photo excess" discussion than the likelihood of being overwhelmed. Bob Hariman weighs in.
Continue ReadingIf "the selfie" was the dominant theme this year in social media and personal photography, I would argue that the theme of "self absorption" (or, "the absorption of self") applied as much to news photography.
Continue ReadingWhere the "impossibility" lies is in the steep challenge of looking at these photos naïvely enough to consider each individual as distinct from the associations they invariably stimulate.
Continue ReadingFirst pass, I was not just struck by the emptiness – or, the quiet here, but I was concerned by it.
Continue ReadingBecause our goal is to promote visual and media literacy, The Atlantic's summary of these photos is something to take note of.
Continue ReadingSo the photos from Syria the past year or so have been a little weighted toward Aleppo and, recently, the Damascus suburb of Gouta. On that diet, of course, one would only think that apocalypse reigns.
Continue ReadingHere was a perfect opportunity to show us a women or multiple women journalists, for goddsakes, actually covering the war in Syria -- though I understand it might have taken about a minute to find one.
Continue ReadingGood hack and lensman that I am, I fight for access to restricted areas, bemused that the young men and women in uniforms who see journalists as intrusive adversaries have no idea that, the dozen years back, I was here too.
Continue ReadingDid the intent of the image, when it was originally made, have more to do with Obama's political style? Or was it motivated more by the fact the man was such an unknown?
Continue ReadingAmong photography's many virtues, it slows the world down, indeed, it stops the world in ways that normal sight is often hard pressed to do—at 1/800th of a second, for example—inviting us not just to look at the world around us, but to see it, sometimes with fresh eyes.
Continue ReadingIt is difficult to assign to art the role of producing, or the credit for realising social and political change - something that is in the end always the result of human efforts, and not reducible to the content of specific images.
Continue ReadingNow that I am engaged in a project about a specific neighborhood, documenting the demolition of a corner of Englewood to accommodate the major expansion of that freight yard, my photographic relationship to people is changing.
Continue ReadingTo the extent that this kid looks so small and exposed, so bloodied and bowed, so targeted by shooters and shooters alike, I wonder if Mr. Murphy and his counterparts aren't feeling now like they should have just finished the job.
Continue ReadingIt's interesting and curious -- in this era of social networking, scoops, and competition for the money shot between new media, traditional media and citizen journalists -- to look at these photos of the Asiana Airlines crash site from the NTSB.
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