What we're seeing in this photograph is the look of a person who's reached a tipping point.
Continue ReadingMy takeaway from the White House photographs of Obama’s trip to Alaska, and the photos of the outdoor misting stations at Auschwitz, is pretty similar
Continue ReadingWhat’s striking to me is how the news imagery of the world-wide migrant crisis is all over the map when it comes to representing these individuals.
Continue ReadingThe image seems to specifically key off Greenwald’s criticism of a WAPO article drawing an equivalence between Ramos and Trump as provocateurs.
Continue ReadingWith eyes out for symbolism, that arrangement of the hand and fingers is as representative and fraught as any other in this country today.
Continue ReadingIf you get too (or completely) distracted by Trump, either through offendedness or amusement from the farce, you’re going to miss the deeper take-away here.
Continue ReadingWho, between these photos, is invited to see themselves as Watchman’s audience?
Continue ReadingI was looking and hoping for imagery that got underneath the more stereotyped depiction of violence, anger and despair.
Continue ReadingOf course, we would hope that the migrant diaspora in our media diet would reflect the greatest realism, but that’s a whole different thing than the migrant telling his or her own story, taking his or her own pictures, and controlling his or her own narrative.
Continue ReadingI want to believe that what I’m experiencing here is demonstrably more than just do-good shock-and-awe.
Continue ReadingOne thing the shaming obscures is the extreme moral contrast between Tensing and the cops.
Continue ReadingIf what we're presumed to have now is full visual disclosure, I'd say the state has an even bigger credibility problem on its hands than it had before.
Continue ReadingIf hyper-capitalism is becoming the issue of our time, I’m also tempted to say that more and more news images are appearing as counterweight.
Continue ReadingI'm grateful to Brooks for this shot, as much as I'm hopeful this candidness blossoms into a real trend.
Continue ReadingIt's important to emphasize that the creation of news photos and editorial decisions about what to put on the wire do not take place a vacuum.
Continue ReadingWhat's great about these images the National Archives were compelled to turn over is just how politically incorrect they are.
Continue ReadingWe could stand for more recognition of those papers that largely ignored the perpetrator in favor of elevating the victims and affirming existing bonds.
Continue ReadingWhen it comes to candid images of the upper and the upper-upper classes, a secret shame of the visual media is that it self-censors.
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