We are encouraged to see the South Sudanese people as something other than the face of a crisis. The risk, though, is to miss the crisis completely.
Continue ReadingThe GIF and the picture are about Trump's identification with nemeses, and about scaling the Mt. Olympus for autocrats.
Continue ReadingIt took a second devastating earthquake for visual media to focus more intimately on Mexico's suffering. Should it have?
Continue ReadingFrom DC to Antarctica, Russia-gate to Iraq, it was a week for political portraits.
Continue ReadingI'm fully on board with the focus on power -- especially star power.
Continue ReadingLooking at the most striking pictures from the last five days, greater light and clarity seems to be the theme.
Continue ReadingThe biggest threat of this attack was the potential to create outsized effects on the cheap. A fake vest or a real one is part of sorting the difference.
Continue ReadingIf Trump's first foreign trip was successful in any way, it was only in its Groucho notes and the respite from the Russian tornado back home.
Continue ReadingPerhaps the most insidious impact of the attack on Manchester is the narrowing of western attention.
Continue ReadingWhen Daniel Berehulak's Philippine drug war photos won a Pulitzer last month, what was also on my mind was how they related to the homefront.
Continue ReadingAnalyzing the power in Verónica Cárdenas’s photos of immigrants wearing Trump masks.
Continue ReadingWar is not fashion and suffering is not funny. But the photo of this missile is both familiar and odd enough to seem uncanny.
Continue ReadingThe question is about how familiar Americans are with Russia. And it's about the burden placed on news photos.
Continue ReadingOmran's suffering essentially disappeared at the very moment the image of it became visible.
Continue ReadingThe photo demonstrates Trump's conflict between country club owner and Commander-in-Chief. The dreamy look during a potential world crisis is quite damning.
Continue ReadingOf course, the photo is making a moral argument. But then the picture "gets down to business."
Continue ReadingOnce one man leaves the frame, another will follow, and once there are no men left to exit, there will be more Aleppos.
Continue ReadingPhotographs may have long wave influence, but they don’t end wars or famines or otherwise stop history in its tracks.
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