We’re way past the point where an image like this simply serves as a reminder of the problem.
Continue ReadingThis remarkable photo, taken 9/12/01, is even more interesting appearing in a year wracked by racial protest and the emergence of #blacklivesmatter.
Continue ReadingSeriously, this might be the most surreal photo of the great migration.
Continue ReadingThe achievement here is how the group can take this mindlessly oppressive rubble world and reduce it to pure geometry.
Continue ReadingFor its story value, the photo might as well be a movie treatment — the migrant cast as its dramatic hero.
Continue ReadingWhat we're seeing in this photograph is the look of a person who's reached a tipping point.
Continue ReadingIf humanitarian fervor and photos of the migrant crisis dominated last week like nothing else, this largely invisible image served cleverly, if silently, as a counterpoint.
Continue ReadingPerhaps what the crisis images ultimately highlight are the abject limits of our governing systems, our leaders and our humanity.
Continue ReadingThis photograph of Kim Davis denying gay people equal treatment under the law by appealing to the dictates of her own conscience is a picture of the snake eating its own tail.
Continue ReadingMy takeaway from the White House photographs of Obama’s trip to Alaska, and the photos of the outdoor misting stations at Auschwitz, is pretty similar
Continue ReadingIt’s not just man vs. child, especially female child, that exposes the state. It’s also the sense the otherwise omnipotent soldier might actually be over his head.
Continue ReadingWhat’s striking to me is how the news imagery of the world-wide migrant crisis is all over the map when it comes to representing these individuals.
Continue ReadingThe image seems to specifically key off Greenwald’s criticism of a WAPO article drawing an equivalence between Ramos and Trump as provocateurs.
Continue ReadingWith eyes out for symbolism, that arrangement of the hand and fingers is as representative and fraught as any other in this country today.
Continue ReadingThe question we asked at the time, and we're asking still, is why the photos published inside the Superdome were so artful and distant?
Continue ReadingOne thing that characterizes a good deal of these retrospectives is the sense that: that-was-then-and-this-is-now. What stands out to me is how much the racial schism then mirrors the racial schism today.
Continue ReadingIf you get too (or completely) distracted by Trump, either through offendedness or amusement from the farce, you’re going to miss the deeper take-away here.
Continue ReadingI doubt this random newswire photo would have enjoyed the same kind of distribution were it not for the present-day security state.
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