What’s striking to me is how the news imagery of the world-wide migrant crisis is all over the map when it comes to representing these individuals.
Continue ReadingThe image seems to specifically key off Greenwald’s criticism of a WAPO article drawing an equivalence between Ramos and Trump as provocateurs.
Continue ReadingWith eyes out for symbolism, that arrangement of the hand and fingers is as representative and fraught as any other in this country today.
Continue ReadingThe question we asked at the time, and we're asking still, is why the photos published inside the Superdome were so artful and distant?
Continue ReadingOne thing that characterizes a good deal of these retrospectives is the sense that: that-was-then-and-this-is-now. What stands out to me is how much the racial schism then mirrors the racial schism today.
Continue ReadingIf you get too (or completely) distracted by Trump, either through offendedness or amusement from the farce, you’re going to miss the deeper take-away here.
Continue ReadingI doubt this random newswire photo would have enjoyed the same kind of distribution were it not for the present-day security state.
Continue ReadingOur choice wasn’t difficult, considering we’ve actually been using this phrase as a tagline since, well... that Bush-Kerry election.
Continue ReadingIf we can be less dogmatic for a second about our own jadedness, what is divine is that hope is still out there.
Continue ReadingIf the term “two Americas” (or two Londons, or, in this case, two Shanghais) is largely understood as a metaphor, what are we to make of it here?
Continue ReadingI was looking and hoping for imagery that got underneath the more stereotyped depiction of violence, anger and despair.
Continue ReadingIn this troglodyte moment, you can see the boys behind Ms. Kelly back there tittering.
Continue ReadingOf course, we would hope that the migrant diaspora in our media diet would reflect the greatest realism, but that’s a whole different thing than the migrant telling his or her own story, taking his or her own pictures, and controlling his or her own narrative.
Continue ReadingI want to believe that what I’m experiencing here is demonstrably more than just do-good shock-and-awe.
Continue ReadingOne thing the shaming obscures is the extreme moral contrast between Tensing and the cops.
Continue ReadingIf you simply relate to Black’s poverty or class imagery in the broad brush, it’s a prolific view. But, in most every frame, the deeper power and reward is that further question or allegation.
Continue ReadingSo, can I tell you what the photo made me think about … apart from any issue about photography?
Continue ReadingIf what we're presumed to have now is full visual disclosure, I'd say the state has an even bigger credibility problem on its hands than it had before.
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