Hypervigilance does not make for the cheeriest mood. This year, in the aftermath of the U.S. election, the halls have mostly been decked with tension and concern. In posting to social media, we’ve been sensitive to signs and symbols from 2016 that feel even more poignant now. We also had a eye out for images — such as the dance students from Cuba, the Spanish mock coup, or the New York Magazine covers — that felt more affirmative or seemed to channel upheaval more constructively. It’s worth saying a few words about the photo of Obama prominently featured in photographer Pete Souza’s last year-end White House review. We didn’t mean to be snarky. At the same time, the pending chaos and uncertainly makes it easy to read the body language as reluctance to let go.
The end is near @whitehouse 2016 #YearInPhotos @petesouza pic.twitter.com/neYQueWJ2g
— Reading The Pictures (@ReadingThePix) December 30, 2016
An essential “year in photos” @Greenpeace and a climate pic that strikes a chord: https://t.co/eSGAU8L71C @greenpeacepix #climateechange pic.twitter.com/puEmfybFid
— Reading The Pictures (@ReadingThePix) December 27, 2016
Nachtwey’s pic conjuring #refugees at gates of hell seemed spot on #bordersclose #greece Mar16 @timepictures Top 100 https://t.co/52rfik7a4d pic.twitter.com/20KF6XYjDy
— Reading The Pictures (@ReadingThePix) December 30, 2016
What was it @NickKristof warns of in @nytimes op-ed on day 1 of ’17, stenography journalism?#offonrightfoot #PARTYON https://t.co/8qbGuoRK24 pic.twitter.com/HtWUAZJxHb
— Reading The Pictures (@ReadingThePix) January 1, 2017
Impressive photo from @nytimes best of 16. #Cuba beyond economics or politics. Also, don’t see many education news pix. @nytimesphoto #dance pic.twitter.com/8W6NOBy0Kw
— Reading The Pictures (@ReadingThePix) December 28, 2016
We predict America’s uncomplicated & idealized view of the #military dies w #Trump & 2016 📷@usarmy pic.twitter.com/dLvT9Hl4iv
— Reading The Pictures (@ReadingThePix) December 30, 2016
A photo posted by Reading The Pictures (@readingthepictures) on
Photo: Pete Souza
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