With all the visual attention given to the "caravan," how powerful to see mass migration also depicted by people taking hold of a place.
Continue ReadingHow do you photograph systemic failure? Chris Gregory's Puerto Rico portrait does it through juxtaposition, capturing natural calamity and colonial neglect, both fast and slow.
Continue ReadingJohn Moore’s focus is not so much the US-Mexico border itself but the way the line infiltrates the lives of people in every direction.
Continue ReadingFormerly public women evicted from private space, these retired sex workers are now proudly private and challenge us to recognize it.
Continue ReadingIt took a second devastating earthquake for visual media to focus more intimately on Mexico's suffering. Should it have?
Continue ReadingAnalyzing the power in Verónica Cárdenas’s photos of immigrants wearing Trump masks.
Continue ReadingPresident Trump is not the only one who has turned to magnitude in order to visualize the meaning, purpose, and effects of his presidency.
Continue ReadingIs this art dispute a weird throwback to the culture wars or a sign of things to come?
Continue ReadingPhotographs of bare stores and starving families fit too neatly into us and them, imagining whole political systems as economically and morally bankrupt.
Continue ReadingI've been thinking about what it means to dress the part at the Republican National Convention.
Continue ReadingWhether we watch the videos or not, witnessing requires us to acknowledge that racist violence is there to be seen.
Continue ReadingHere’s the essential product, yes, but apparently even that reminder that most women bleed once a month is sufficiently risky.
Continue ReadingReviewing these photographs while feeding my own newborn, I am reminded that reproductive rights are a crucial part of women balancing work and family.
Continue ReadingFrom one sad graffiti stencil to the political power and future of visual events.
Continue ReadingPhotographed by Annie Leibovitz, the Pirelli calendar still leads with nakedness, privileges whiteness, and assumes that men are always, inevitably the primary viewers.
Continue ReadingIn this complex photograph, we see threads of American exceptionalism as well as reaching on the Washington Mall.
Continue ReadingAs a parent viewing the photo essay, I felt a rush of defensiveness and worry. As a visual scholar, I wanted to understand why.
Continue ReadingPeople from the United States have been looking at South American volcanoes and seeing them as metaphors for what’s happening at home for at least one hundred and fifty years.
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